Mir\u00f3 Exhibit - an 'Experience of Seeing\u2019 Introducing: Kristian Jaime - The Artists\u2019 Chateau\u00ae<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theartistschateau.com\/es\/joan-miro-exhibit-kristian-jaime\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mir\u00f3 Exhibit - an 'Experience of Seeing\u2019 Introducing: Kristian Jaime - The Artists\u2019 Chateau\u00ae\" \/>\n<meta property=\"og:description\" content=\"English EspaÃ±ol When acclaimed Spanish artist Joan MirÃ³ entered his later years, something peculiar happened-he became more prolific during a time when others slowed down. 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When acclaimed Spanish artist Joan MirÃ³ entered his later years, something peculiar happened-he became more prolific during a time when others slowed down.<\/p>\n

The 90 year-old native of Barcelona produced 57 works that spanned into sculptures, drawings, and paintings in his golden years. Now, his collection is making its way to the McNay Art Museum’s latest exhibit titled, “MirÃ³: The Experience of Seeing” on display from September 30 through January 10.<\/p>\n

Not only is San Antonio the last stop before returning to Spain, but also having it at such a seminal institution in the city’s art scene seems only fitting. While the exhibition focuses on his works which started in the 1960s, the pieces in question represent a much more personal side to the often-immortalized abstract master.<\/p>\n

The son of a watchmaker and goldsmith routinely played with traditional spaces in his work starting during his time studying at the School of Industrial and Fine Arts in Barcelona. It was not until his stint at the La Lonja School of Fine Arts in 1918 that he would get his first solo show at the Dalmau Galleries.<\/p>\n

From then on, MirÃ³ became synonymous with collaborations with other artists and movements-especially during his time in Paris where influences included the likes of psychologist Sigmund Freud and his academic writings. Bright colors and shapes defined his works with overt interludes with fauvism and cubism.<\/p>\n

While it may be easy to characterize his later pieces as part of his public art contributions, “MirÃ³: The Experience of Seeing” strives for a different profile for the artist. It is a chance to see a master that was still playing with space on both canvas and sculpture pieces.<\/p>\n

“MirÃ³: The Experience of Seeing” is as much a collaborative effort as it is a visual triumph.<\/p>\n

The brains behind the exhibit included chief curatorÂ of Sculpture Carmen FernÃ¡ndez Aparicio and chief curator ofÂ Paintings BelÃ©n GalÃ¡n MartÃn. Both curators were under the guidance of Rosario PeirÃ³,Â the chief curator of the Permanent Collection at the Museo NacionalÂ Centro de Arte Reina SofÃa in Madrid, Spain.<\/p>\n

Calling the famed Catalan artist inventive in his methods is an understatement. Amid his extensive cathartic pilgrimages during his life, he experimented withÂ Â assembling found objects and adding techniques such asÂ modeling and bronze casting. Such techniques became commonplace among his contemporaries.<\/p>\n

Now as patrons revisit his later catalog, the emphasis in sculpture, paintings and drawings evoked symbolism rather than the exact human form. In short, the entire collection is a portrait of a man in transition. The gallery illustrates an evolution from early artistic movements to a far more pensive artist.<\/p>\n

During his illustrious career, Joan MirÃ³ was one of the few artists that found appreciation in his own time. Yet that would be nothing compared to the legacy that grew after his passing. Trying to imagine modern art without the likes MirÃ³ is nearly impossible. Thanks to the latest exhibit at the McNay Art Museum, seeing his masterworks is<\/em> possible.<\/p>\n

For more information and other upcoming exhibitions at the McNay Art Museum, visit www.mcnayart.org<\/a><\/p>\n

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Femme et Oiseau dans la Nuit by: Miro<\/p><\/div>\n
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A partir de entonces, MirÃ³ se convirtiÃ³ casi sinÃ³nimo con las colaboraciones de otros artistas y movimientos. Fue especialmente durante su tiempo en ParÃs, cuando sus influencias empezaron a incluir hasta algunas del psicÃ³logo Sigmund Freud y sus escrituras acadÃ©micas. Â Los colores brillantes y las formas definidas se convirtieron sinÃ³nimas con sus obras y eran tÃpicas del surrealismo, el Fauvismo y el cubismo.<\/p>\n
Aunque seria fÃ¡cil caracterizar sus obras posteriores como parte de sus contribuciones de arte pÃºblico, “MirÃ³: la experiencia de ver” nos demuestra un perfil diferente del artista. Â La exhibiciÃ³n nos da una oportunidad de ver los frutos de un artista que usaba su genio en ambos la pinturas, las esculturas, y sus dibujos.<\/p>\n
“MirÃ³: la experiencia de ver” es tanto como un esfuerzo colaborativo como es un triunfo visual.<\/p>\n
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Los cerebros que planearon la exposiciÃ³n incluyen a la Comisaria Jefe de esculturas Carmen FernÃ¡ndez Aparicio y el Comisario Jefe de pinturas BelÃ©n GalÃ¡n MartÃn. Ambos Comisarios estaban bajo la directa supervisiÃ³n de Rosario PeirÃ³, la Comisaria de la ColecciÃ³n Permanente del Museo Nacional Centro de Arte Reina SofÃa de Madrid, EspaÃ±a.<\/p>\n
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MirÃ³, el famoso artista catalÃ¡n, cambio su estilo de arte varias veces durante su vida. Durante sus extensas emigraciones, Ã©l experimentÃ³ con murales cerÃ¡micos. TambiÃ©n, se educo a hacer montaje de objetos que encontraba, y aprendiÃ³ diferentes tÃ©cnicas como el modelado y fundiciÃ³n de bronce. Â MirÃ³ era un creador que no se ataba a una sola manera de formar sus obras, sino que siempre intercambiaba en la tÃ©cnica que mejor le parecÃa en ese momento, su falta de lealtad en una sola forma de arte es lo que lo distingue de los otros artistas de su tiempo.<\/p>\n
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Hoy en dÃa cuando los artistas, coleccionistas, mecenas, y crÃticos de arte estudian su arte y se enfocan en sus esculturas, dibujos y pinturas se van dando cuenta de su significado profundo e importancia altamente simbÃ³lica que su arte representa. En resumen, toda la colecciÃ³n es un retrato de un hombre en transiciÃ³n. La galerÃa demuestra una evoluciÃ³n desde sus movimientos artÃsticos principios a aquellos de Â a un artista mucho mÃ¡s abstraÃdo.<\/p>\n
Durante su ilustre carrera, Joan MirÃ³ fue uno de los pocos artistas que siÂ fue apreciado en su propio tiempo. MirÃ³ se encontraba en el lugar correcto en el momento justo. Sin embargo, eso serÃa nada comparado con el legado que creciÃ³ despuÃ©s de su fallecimiento. Imaginarse el arte moderno sin la talla MirÃ³ es casi imposible. Gracias a la Ãºltima exposiciÃ³n en el Museo de Arte McNay, mirando a MirÃ³ y sus obras maestras si serÃ¡ posible.<\/p>\n
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English EspaÃ±ol When acclaimed Spanish artist Joan MirÃ³ entered his later years, something peculiar happened-he became more prolific during a time when others slowed down. 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